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Articles:
Seeing
Beyond the Obvious
The early 1960's. My small hometown historically
had two schools: one for whites and Hispanics, another
for blacks. Department stores had separate restrooms,
separate water fountains: one for whites, one for
blacks. This primarily agricultural region was only
beginning to be affected by the civil rights movement.
When I entered seventh grade, the two schools were
merged, or as it was called then, integrated. For
the first time, all students walked the same halls,
sat in the same classrooms, drank from the same fountains.
Uneasiness simmered beneath the surface. In spite
of that, faculty and students managed to work together.
Each fall, the community held an annual talent show
at the high school auditorium. Students of various
levels of talent were provided a forum to entertain
an audience of their peers.
Early in the program, the emcee introduced her. The
spotlight flashed on, and there she sat: a large African-American
high school student behind an imposing electric organ.
Most of us did not know her. Snickers rippled across
the crowd. She began to sing "Moon River."
Laughter erupted. It looked as though she was about
to be shamed off the stage. Undaunted, she continued
her song.
Suddenly, the mood of the audience changed. The more
this young black woman sang and played, the more awe-struck
they became. She ended with a soulful flair. There
was no more laughter. There was instead a unified
body of students rising to its feet, pleading for
an encore. What began as spontaneous rejection became
a triumph of acceptance and accolades.
That magic moment changed me. I was never the same
after that. I had been willing to dismiss a fellow
student's contribution as inferior even before experiencing
it. I had been unwilling to see beyond the obvious
external facade. I stood convicted.
But it wasn't a turning point for just me. It was
a turning point for our school. This young woman's
willingness to share herself through music broke down
more barriers than the court order which brought about
integration. Integration forced us to co-exist reluctantly
. She helped us begin to co-exist as community.
There were tears that night. They were mine. Tears
that rejoiced that someone had broken through, had
taken rejection and turned it around. Tears that recognized
in her my own fear of being laughed at, misunderstood,
or discounted.
Now I'm a hospital chaplain. Daily I encounter those
who, through illness, have change forced upon them.
These are my teachers. These who learn not only to
endure but to embrace change. These who find in the
embrace freedom and transformation. These who risk
sharing the music of their liberated spirits with
the world.
And I continue to learn: we are all more than we seem.
And God continues to call us to see beyond the obvious,
to enjoy the music, and to grow. --Virgil Fry
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