Seeing
Beyond the Obvious
The
early 1960's. My small hometown historically had two schools: one
for whites and Hispanics, another for blacks. Department stores had
separate restrooms, separate water fountains: one for whites, one
for blacks. This primarily agricultural region was only beginning
to be affected by the civil rights movement.
When I entered seventh grade, the two schools were merged, or as it
was called then, integrated. For the first time, all students walked
the same halls, sat in the same classrooms, drank from the same fountains.
Uneasiness simmered beneath the surface. In spite of that, faculty
and students managed to work together.
Each fall, the community held an annual talent show at the high school
auditorium. Students of various levels of talent were provided a forum
to entertain an audience of their peers.
Early in the program, the emcee introduced her. The spotlight flashed
on, and there she sat: a large African-American high school student
behind an imposing electric organ. Most of us did not know her. Snickers
rippled across the crowd. She began to sing "Moon River."
Laughter erupted. It looked as though she was about to be shamed off
the stage. Undaunted, she continued her song.
Suddenly, the mood of the audience changed. The more this young black
woman sang and played, the more awe-struck they became. She ended
with a soulful flair. There was no more laughter. There was instead
a unified body of students rising to its feet, pleading for an encore.
What began as spontaneous rejection became a triumph of acceptance
and accolades.
That magic moment changed me. I was never the same after that. I had
been willing to dismiss a fellow student's contribution as inferior
even before experiencing it. I had been unwilling to see beyond the
obvious external facade. I stood convicted.
But it wasn't a turning point for just me. It was a turning point
for our school. This young woman's willingness to share herself through
music broke down more barriers than the court order which brought
about integration. Integration forced us to co-exist reluctantly .
She helped us begin to co-exist as community.
There were tears that night. They were mine. Tears that rejoiced that
someone had broken through, had taken rejection and turned it around.
Tears that recognized in her my own fear of being laughed at, misunderstood,
or discounted.
Now I'm a hospital chaplain. Daily I encounter those who, through
illness, have change forced upon them. These are my teachers. These
who learn not only to endure but to embrace change. These who find
in the embrace freedom and transformation. These who risk sharing
the music of their liberated spirits with the world.
And I continue to learn: we are all more than we seem. And God continues
to call us to see beyond the obvious, to enjoy the music, and to grow.
--Virgil Fry